Open Your Ears to Villa-Lobos
Discover 5 astonishingly beautiful tracks by Heitor Villa-Lobos, who infuses classical forms with Brazilian spirit to create a musical language all his own.
Discover 5 astonishingly beautiful tracks by Heitor Villa-Lobos, who infuses classical forms with Brazilian spirit to create a musical language all his own.
Most beginning transcribers go for melody first, but starting with drums offers many advantages. Learn why and how to transcribe the drum parts like a pro.
If you want to write songs that are powerful and memorable, you must be able to write a good melody. Learn four commonly-used techniques that will help you.
Improvising music can feel like you’re trapped in set patterns or overwhelmed by choice. Here’s how the perfect middle ground can make improvisation easy.
There are aspects beyond the music that can make or break your show. Put these six insider tips into practice and your audience will never forget you.
Much of the elaborate art of jazz can be classified by basic approaches. Let’s see how we can be inspired by the masters to create transcendent solos.
Transcription, the art of writing down the music we hear, combines every aspect of ear training. Learn how to start and the best tech tools to help you out.
On the piano, you can see what you’re doing, but can you hear it? Albert Frantz of key-notes.com shows us how crucial ear training is to playing piano well.
Take these first three steps to rehearsing—personal preparation, band practice, and tech rehearsal—and you’ll be much more confident about Performing Live.
Improvisation doesn’t have to be hard – it can be a game! Get tips on starting from Jeffrey Agrell, author of 7 improvisation books and dozens of articles.
Improvisation is an exciting skill across world musical traditions. Deepen your understanding of improv by exploring various Western and Indian traditions.
Improvisation isn’t magic: it’s a skill you can learn. Surprise! Challenges can actually set you free. These 10 challenges will start you on your journey.