Common Rhythm Problem Spots: Solos and Syncopation
Get help tackling two common rhythm problems: keeping time during solos and when playing more complex rhythms. Includes practice tracks to improvise with.
Get help tackling two common rhythm problems: keeping time during solos and when playing more complex rhythms. Includes practice tracks to improvise with.
All musicians have had that moment when they find themselves lost when playing with others. Get some tips and practice not getting lost in this tutorial.
It can be easy to loose rhythmic accuracy during tempo and style transitions. Get some tips to help you keep the beat and practice with these exercises.
Find out 3 reasons why musicians struggle with rhythmic accuracy, then learn the 5 ways you can improve and practice with a rhythmic accuracy exercise.
You can Improve your sense of rhythm by internalizing the beat in your mind using audiation. Learn more and practice this skill with some simple exercises.
For all musicians who understand the theory of good rhythm, but are looking for simple and fun everyday exercises to improve this crucial musical skill.
6/8 is a popular time signature in pop and rock songs. Find out more about how to count and hear 6/8 with multiple examples of popular songs that use it.
Curious about polyrhythms? Find out what a polyrhythm with examples from different genres and practice counting and playing them with some simple exercises.
Learn about a new method for improving your rhythm and maintaining a consistent tempo in book “Beyond the Metronome” from the founder of Inchronicity.com.
Follow this roadmap to improve your sense of rhythm. Learn about rhythm notation, increase your rhythmic accuracy and apply this to you instrument.
Explore fascinating rhythms from around the world and find out what makes our bodies move, souls dance and spark inspiration in your own musical creations.
Part of the songwriters secrets series, this article outlines the 2 methods for writing vocal rhythms, and 3 exercises to practice this important skill.